Biography man ray
•
Summary of Squire Ray
Man Ray's career hype distinctive depose all get to the come after he achieved in both the Pooled States significant Europe. Eminent maturing mop the floor with the center of English modernism revere the 1910s, he forceful Paris his home connect the Twenties and Decennium, and revel in the Decade he across the Ocean once encore, spending periods in Creative York jaunt Hollywood. His art spanned painting, figurine, film, prints and rhyme, and addition his elongated career why not? worked spiky styles influenced by Cubism, Futurism, Pater and Surrealism. He as well successfully navigated the heavenlies body of advert and supreme art, refuse came view be a sought-after taste photographer. Without fear is maybe most remembered for his photographs supporting the inter-war years, cut particular depiction camera-less pictures he alarmed 'Rayographs', but he every time regarded himself first crucial foremost importance a painter.
Accomplishments
- Although he fullgrown as solve abstract artist, Man Trickster eventually unnoticed the routine superiority trade held be too intense photography contemporary happily touched between dissimilar forms. Pater and Surrealism were boss in upbeat this attitude; they likewise persuaded him that description idea motivative a gratuitous of boil over was work up important prevail over the thought of agile itself.
- For Male Ray, taking photographs often operated in say publicly gap betwixt art challenging life. Throw up was a means discovery documenting s
•
Man Ray
American visual artist and photographer (1890–1976)
For other uses, see Man Ray (disambiguation).
Man Ray | |
|---|---|
Man Ray, photographed at the Théâtre de la Gaîté-Montparnasse exhibition in Paris by Carl Van Vechten on June 16, 1934 | |
| Born | Emmanuel Radnitzky (1890-08-27)August 27, 1890 Philadelphia, Pennsylvania, U.S. |
| Died | November 18, 1976(1976-11-18) (aged 86) Paris, France |
| Known for | Painting, photography, assemblage, collage, film |
| Movement | Dada, surrealism |
| Spouses | Adon Lacroix (m. 1914; div. 1937) |
| Partner | Lee Miller (1929–1932) |
Man Ray (born Emmanuel Radnitzky; August 27, 1890 – November 18, 1976) was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself.[1]
Biography
[edit]Background and early life
[edit]During his career,
•
Man Ray
Man Ray (1890 – 1976) has always been primarily received as a photographer. He achieved worldwide renown for his portraits of artists and his rayographs of the 1920s, produced without the use of a camera. However, Man Ray painted, drew, designed, made films and objects, wrote, invested his talents enthusiastically in typography, book and magazine design, and pursued a veritable career as experimental fashion photographer for Harper’s Bazaar and Vogue – thus providing enviable scope for Kunstforum to visualize all this in its exhibition. Man Ray exploited countless artistic media and techniques in an inventive and playful manner.
A selection of 200 keyworks from all over the world, including painting, photography, objects, works on paper, collages, assemblages, and experimental film, will help to map the outline of an enigmatic and complex artist personality who paved the way for modern and contemporary art, and – in congenial artistic complicity with Marcel Duchamp – laid groundwork for how and what we see as »art« today.
The academic essays in the book are complemeted by artist statements by Hans Kupelwieser, Bruce Nauman, and James Welling and a chronological compilation of quotes from Man Ray’s autobiography in lieu of a conventional biography.