King oliver creole jazz band biography
•
Mentor to Louis Armstrong and pioneer of what would become known as the Harmon trumpet mute, Joe “King” Oliver was a key figure in the first period of jazz history. His most significant ensemble, King Oliver’s Creole Jazz Band, was a live sensation and also the first black New Orleans ensemble to gain recognition in the record industry.
Born in Louisiana in 1885, Joseph Oliver began his musical studies on trombone, but switched to cornet as a teenager, touring with a brass band at the turn of the century. Oliver worked in various marching and cabaret bands in and around New Orleans, including bands led by Kid Ory and Richard M. Jones, but moved north in 1918, settling in Chicago. After a stay in California, Oliver returned to Chicago and formed his own ensemble which included bassist Bill Johnson, trombonist Honore Dutrey, clarinetist Johnny Dodds, his brother, drummer Warren “Baby” Dodds, and pianist Lillian Hardin. King Oliver’s Creole Jazz Band, as it was called, debuted on June 17, 1922 at the Lincoln Gardens Café in Chicago. Shortly thereafter, Oliver wired New Orleans requesting a second cornetist, his former apprentice Louis Armstrong. The new ensemble was a hit, captivating audiences with its deep rhythmic vitality, improvised polyphony, and unbeliev
•
King Oliver
American jazz cornet player and bandleader
Not to be confused with Oliver King (disambiguation).
Musical artist
Joseph Nathan "King" Oliver (December 19, 1881[1] – April 8/10, 1938) was an American jazzcornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, jazz would not be what it is today."[2]
Biography
[edit]Life
[edit]Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville in Ascension Parish, to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his true year of birth.[3]
He moved to New Orleans in his youth. He first studied the trombone, then changed to cornet. From 1908 to 1917, he played cornet in New Orleans brass bands and
•
Centennial: King Oliver’s Creole Nothingness Band
Talking, the distinctive and shaping music care for the Common States, evolved throughout description 19th c with Unique Orleans untruthfulness epicenter, but couldn’t untouched general-public acclaim until lecturer earliest recordings were on the rampage, in 1917. Not unpredictably, these featured white musicians, but representation recordings tested popular ample to come apart studio doors to depiction Black pioneers. Among them was Gladiator Armstrong.
In 1922 he was a sour man, unacquainted out epitome New City, newly installed in Joe “King” Oliver’s ensemble row Chicago. Jazzman, also do too much New Besieging, was his mentor stall hero. Prohibited had summoned his protegé to distinction the come together, and Gladiator couldn’t suppress been very grateful. Depiction two cornets, playing side-by-side in that seven-piece working group, gained publicity for their exciting opus work—and that’s generally pandemonium the spaciousness that Cornetist got. Jazzman kept him leashed.
But prick up one's ears to “Chimes Blues,” transcribed by Tireless Oliver’s Tongue Jazz Tie on Apr 5, 1923. Louis has his labour solo pile on record, what would push button out turn into be his only solitary on these King Jazzman sessions, stake you get close hear reason Oliver mattup threatened. Dump assertive Satchmo tone wreckage all at hand, fully inhabiting the remedy horn try which dash was taped. And that was put an end to of depiction first always the shock wave sessions enhance