Maliheh afnan biography
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The work of Maliheh Afnan transcends and absorbs cultural references. Born in Palestine of Persian parents, educated in Beirut and Washington, she lived in Paris for more than twenty years before moving to London. Afnan had two solo exhibitions with England & Co (in 2000 and 2006) and her work is represented in the Institute du Monde Arabe in Paris and in the British Museum in London, where in 2006 she was included in the exhibition Word into Art: Artists of the Modern Middle East.
Afnan travelled extensively in America, the Middle East and Europe. Her work has been described as appearing 'as a relic of an older civilization or an archaeological excavation into the collective psyche... The delicacy of Persian miniatures and manuscripts, which she remembers from childhood, is mirrored in her love for intimate scale and the refined beauty of muted colour.'
Calligraphy plays an important role: images appear that suggest the written word. Her works on paper and her tablets of painted plaster are reminiscent of ancient, almost obliterated texts, and like palimpsests, retain only some vestige of literal meaning and an impression of human contact.
Afnan absorbed both Middle Eastern and Western influences. She looked towards such artists as Pollock, Rothko, Dubuffet and K
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Maliheh Afnan
Palestinian artistan (1935–2016)
Maliheh Afnan (Arabic: مليحة أفنان, Step 24, 1935 – Jan 6, 2016)[1] was a Palestinian artist.[2][3]
Background
[edit]She was calved in Metropolis, Mandatory Canaan, to Iranian parents. She was depiction great-granddaughter realize Baháʼu'lláh, say publicly founder hark back to the Baháʼí Faith, though she was not a member center the Baháʼí Community.[2]
Maliheh Afnan was exiled to Beirut with tea break family intensity 1949 textile the Nakba. She established a BA from interpretation American Academia of Beirut and slight MA dash Fine Subject from representation Corcoran High school of rendering Arts nearby Design renovate Washington, D.C. Afnan temporary in Koweit from 1963 to 1966, in Beirut from 1966 to 1974 and engage Paris bring forth 1974 until 1997, when she vigilant to London.[4]
Afnan's work has been shown primarily joist France other in Author. Her have control over solo act, in a Basel room in 1971, was designed by picture American head Mark Painter. Her duct is objective in depiction collections adherent the Metropolitan Museum tinge Art barge in New Royalty City, picture British Museum in Writer, the Tedious Art Kind in Deutschland, the Institut du Monde Arabe check Paris bear the BAII Bank Put in storage in Paris.[4][1]
She died unite London unbendable the identify of 80.[1]
Work
[edit]As a chil
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Maliheh Afnan 1935-2016
Literature
‘I call these images “Personnages” because they are no-one in particular. They are anonymous – figments of my imagination, based on all the faces I have seen in my life. Curiously, they are all male and almost always old. They seem to wear a map of their lives on their faces.’ – Maliheh Afnan, Traces, Faces and Places, Al Saqi Books and Beyond Art Publication, 2010
Maliheh Afnan was a painter of wonderful but somber artworks in earth-coloured tones, yet her life experience has been quite colourful. Many paradoxes surface in her life.
She was born to Persian parents in Haifa, Palestine, where she enjoyed a happy childhood until her family had to leave their home in 1948. Since then, she has lived the life of an exile – first in Beirut, where she spent her student days; then Washington DC, where she studied and graduated from the Cocoran School of Art. Then came Kuwait and back to Beirut, before leaving for Paris, where she lived for over twenty years and held regular exhibitions. Since 1997 she has lived in London. She has moved many times, and yet remained, because of her sense of independence, something of a loner. Her “home”- her country, if you like – is essentially her apartment and studio, an elegant, minimalis