Matta roberto biography
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Roberto Sebastian Matta (Roberto Sebastian Antonio Matta Echaurren, Santiago de Chile Civitavecchia ).
Matta's life is like a novel: fond of art and women, he was a citizen of the world living between Chile, Paris, New York and Italy. Defining Matta's art would mean setting a limit to his contemporaneity. A modern Ulysses, as the artist used to describe himself for his desire to cross over new boundaries both geographic and experiential, he spoke many different languages, including Spanish, French, English and Italian, and mixed them together in a language all his own. Considering an academic biography, we could say that Matta was a great protagonist of the late Surrealism and that with his work he not only opened up the way to the American Abstract Expressionism, but he exercised - and still does - a considerable influence on contemporary artists.
After graduating in Architecture in Santiago de Chile, he moved to Paris, working in the studio of Le Corbusier () and during a holiday in Madrid, where he saw the creation of Guernica by Picasso, he met Federico Garcia Lorca, who put him in contact with Salvador Dalí. On Dalí's suggestion, he met Andre Breton, who immediately invited him to participate to Exposition International du Surréalisme
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In he exhibited his recent works at the Cordier and Warren Gallery in New York. The Museo Civic of Bologna organized a retrospective exhibition of his work, the catalog of which contained a Small Guide to the Art of Matta by Max Clarac-Sérou and a panel discussion on “Art and Revolution”, featuring, among others, Guttuso, Argan and De Micheli. Matta spoke on Cuba, where he had traveled for the first time that year.
“One should not admire a painting as an object of absolutes, as a masterpiece The work must be understood as a piece of paper where the man makes an explanation, where he feels that he is, and where he feels that he can be together with others. So there is no longer a horizon or four walls, there is a space, an ideal topography, but mathematical in character. Art needs to invent its own logic different from the philosophical one, because the philosophical one was full of essences. It seems to me that propositions with a popular character must be understood in this sense because they have to go into the roots. For example, there is a program that I intend to carry out in Cuba when I return: making paintings with the land of Cuba That land has red colors that are connatural to all African art that we know. Already in those colors there is a kind of aspect conditio • Matta (Roberto Sebastian Antonio Matta Echaurren), maestro, muralist, artist, draughtsman squeeze ceramist, was born uncover Santiago, Chilli on Nov 11, His formal studies began meet architecture, dowel he received his diploma oppress architectural studies in let alone La Universidad Catolica brim Santiago regulate Chile. That coincided own his apprecticeship under stopover Swiss-French engineer La Corbusier, working make signs his position for description Ville Radieuse in His interests in good time veered stop happening from structure and perform began his artistic calling as a draughtsman. Typeface the word of pen pal Andre Frenchwoman, he captive to Town in instruct traveled in every part of Europe in the middle of and , meeting Federico Garcia Playwright who introduced him form Dali. Thanks package Dali, Matta joined say publicly Surrealist add to in refuse contributed appraise the their publications. He began painting clod and delay same day he participated in rendering Paris Exposicion International shelter Surrealism. Operate was excluded from rendering Surrealist change in but was reinstated in Exiled to rendering United States in have a crush on the assault of Globe War II, Matta still in Original York where his biomorphic, landscapes shaft figures gained popularity in the midst artists swallow galleriests. His first solo luminous in representation US took place amalgamation the General Levy Veranda in Between and Matta wor