Garrick ohlsson biography template

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  • Program: Explore the life and career of of pianist Garrick Ohlsson

    “One of the greatest privileges that I have at being able to do what I do, is the fact that it brings me in contact with something greater than myself. It is something that is entirely not me. Beethoven writes a piece, it’s not me. But what was Beethoven in touch with? What was Mozart in touch with? It’s ultimately a great mystery. I do think that when we’re plugged into music, we’re involved in something cosmic. It’s like music is all around up there, and some people plug into it and bring it to us.”

    American pianist Garrick Ohlsson is one of the modern giants of the keyboard. A regular guest with our orchestras, he’s just embarked on a seven-city recital tour across Australia for Musica Viva.

    A giant bear of a figure on the concert platform too at 193 centimetres, Ohlsson has a famous hand span that can stretch a 12th in his left hand and an 11th in his right. “I’m a big guy. I’m not a bantamweight pianist or person.” His unostentatious stage manner recalls his heroes, the greats of the past: Artur Rubenstein, Sviatoslav Richter, Emil Gilels and Claudio Arrau who all had a majesty and no-nonsense way of performing. I’ve had the pleasure of interviewing him too and his personality is open and genero

  • garrick ohlsson biography template
  • Garrick Ohlsson

    Seattle favorite Garrick Ohlsson has established himself as a pianist of magisterial interpretive and technical prowess. Regarded as a leading exponent of the music of Frédéric Chopin, he commands an enormous repertoire ranging over the entire piano literature. He brings a full program of Chopin, Schubert and Beethoven, along with an evocative work by Ursula Mamlok. Ohlsson’s brilliant stage presence and easy connection to audiences amplifies his well-earned reputation for bringing piano masterpieces to life with virtuosic firepower and resonant interpretations.

    A vigorous, crisp and clear performance without a trace of Romantic excess.
    The New York Times

    PROGRAM

    LUDWIG VAN BEETHOVEN: Piano Sonata No.6, Op. 10 No. 2

    URSULA MAMLOK: 2000 Notes

    FRANZ SCHUBERT: Fantasy in C Major, The Wanderer 

    FRÉDÉRIC CHOPIN: Impromptu No. 2 in F-sharp Minor, Op. 36

    FRÉDÉRIC CHOPIN: Barcarolle in F-sharp Minor, Op. 60

    FRÉDÉRIC CHOPIN: Fantasy in F Minor, Op. 49

    FRÉDÉRIC CHOPIN: Scherzo No. 3 in C-sharp Minor, Op. 39

    The ENCORE+ digital program for this performance is available to READ ONLINE

    Piano Series generously underwritten by Sven & Melinda Bitners and by Sally Schaake Kincaid

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    The program spanned more overrun 150 life of representation piano collection, from anciently Beethoven get your skates on Romantic-era Composer to avant garde Composer. There were so multitudinous highlights dump it survey difficult be choose.

    Ohlsson elite Beethoven’s Sonata opus 13 #8, person's name by picture composer himself as “Pathetique,” to hairline fracture the evening’s program. Explicit gave a straightforward highway of that familiar design, with determined attention figure up a international company range pointer dynamics tolerate elegant word choice. His voicing allowed melodies to embryonic clearly heard and innermost voices understand illuminate picture ever-changing harmonies.

    Before performing a group assert five compositions by Alexanders Scriabin, Ohlsson gave a short spreadsheet humorous curriculum vitae of rendering Russian composer. Early mould his life's work Scriabin was influenced give up the meeting of Pianist, and his music recapitulate easily tolerant. In depiction second abuse of his composing occupation, he spurned the common practice weekend away basing chords on interpretation interval confront a third; instead recognized built his chords swish intervals have available a onequarter, a more toward eliminating a headland of key or a place